![]() ![]() ![]() Steel has been making steel for more than a century, always with an eye on serving our customers’ needs in the most cost-effective ways possible. We owe it to each other and our families to be great. However, we will not be satisfied with just being good at safety. We are proud of the improvements we’ve made and our safety leadership within our industry. We remain firmly committed to our ultimate safety goal: zero incidents and injuries companywide. That starts with safety in our workplaces. Steel, creating value for our stakeholders is a priority. Headquartered in Pittsburgh, Pa., we manufacture a wide range of value-added steel sheet and tubular products for the automotive, appliance, container, industrial machinery, construction, and oil and gas industries.Īt U. One or more preparators gently remove an artwork from its old frame and reframe it in the new one, or hang the work up in the vault to await conservation or photography.Founded in 1901, United States Steel Corporation is an integrated steel producer with major production operations in the United States and Central Europe. Artworks are also removed from frames in order to be photographed by a professional photographer. Sometimes artworks in the collection are removed from their frames and placed in new ones: perhaps because the new frame is more attractive, suits the time period and style of the work better, or because the original frame needs conservation. Sculptures may remain in their crates to protect them until they are installed. Preparators unload the artwork in its crate and transport it to the vault where it will rest and acclimate for 24 hours before it is uncrated and inspected by the Registrar, who prepares a full condition report on every new artwork.Īfter the inspection, and before installation in the galleries, Preparators hang incoming paintings on large racks in the vault. Upon the arrival of any truck carrying artwork, the dock area is closed to all staff except security, the preparators, and the Museum Registrar. When the Museum receives new acquisitions or loaned objects for exhibition, their arrival is pre-scheduled through the Collections Department and the Receiving Officer at the loading dock. In 2015, the Museum acquired 511 new artworks, including prints on paper, paintings, mixed media works, and sculpture. Depending on the size and complexity of the work, the installation may require anywhere from two or three preparators (like Robert Indiana’s LOVE on the South Lawn), or an entire crew, plus facilities and grounds staff, crane operators, welders, and more (as were needed for the complicated installation of Louise Bourgeois’s Maman in the Museum’s courtyard).Ĭrystal Bridges’ permanent collection is always growing. This may require pouring of a concrete base, installing steel anchors, bringing in a crane to lower the work into place, and/or assembling the sculpture onsite: perhaps welding pieces that had been cut apart for transport. When the curator and preparators have decided on a site, preparators mark the exact location for later installation of the work. Preparators installing Robert Indiana’s “LOVE” on the Museum grounds. The cardboard model is much easier and safer to move around than a sculpture that could weigh thousands of pounds! First, preparators build a three-dimensional scale model of the work in cardboard so curators can get an accurate idea of how the sculpture will look in place. Before any large-scale sculpture is installed, preparators and curators work together to choose a site for it. ![]()
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